Showing posts with label Gothic Literature. Show all posts
Showing posts with label Gothic Literature. Show all posts

Sunday, October 23, 2011

The Classics Circuit: Clermont by Regina Maria Roche

Many moons ago I took a college course on the Gothic Novel  We read wonderful novels that I loved like The Mysteries of Udolpho, Melmoth the Wanderer, and The Monk.  We also read a novel that mocks these sensational Gothic novels and that novel is Northanger Abbey by Jane Austen.  Needless to say I was WONDERFULLY excited to learn that Gothic Literature would be the theme for this circuit.  I decided to read Clermont by Regina Maria Roche because of Jane Austen.  My library has a set of novels, Clermont is included, that are called The Northanger Set of Jane Austen Horrid Novels.  Of course, this is in reference to a statement made by one of the characters to Catherine Morland in Northanger Abbey: 

Dear creature! How much I am obliged to you; and when you have finished Udolpho, we will read the Italian together; and I have made out a list of ten or twelve more of the same kind for you.
Have you, indeed! How glad I am! What are they all?
I will read you their names directly; here they are, in my pocketbook. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time.
Yes, pretty well; but are they all horrid, are you sure they are all horrid?
(Northanger Abbey, chapter 6)

The plot concerns Madeline Clermont a virtuous, charming, beautiful young woman who lives with her reclusive father in a small cottage.  A series of accidental visits lead to Madeline falling in love and the papa Clermont's secret past coming back to haunt poor Madeline.

Readers of Gothic Literature will recognize the usual Gothic elements at play here:  subterranean caverns, secrets, lust, thunderstorms, murder, deception, and load upon loads of streaming eyes, trembling lips, and more swooning than you can shake a stick at.  If you want to get very drunk very quickly then take a swig anytime Madeline faints.  You'll be drunk well before the middle of the book.

Of course I think part of the entire "horror" of the novel lies in Madeline's position.  She is dependent upon shady people and lacks a solid position in life.  The climax of the plot concerns plans for Madeline to enter into a forced marriage with a nefarious character.  How horrifying to readers like Catherine Morland who can relate to the situation of being at the mercy of the men in one's life to obtain security. 

When reading Clermont it is easy to become bogged down in all the hithers and whilsts and over-wrought emotions; I found going into this read with a familiarity with the genre, a sense of fun, and a smidgen of historical perspective made this read a real treat.  I wouldn't say I'm ready to swoon over Clermont, but if you are looking for something florid, then this is right up your alley!  

Tuesday, October 18, 2011

Teaser Tuesday: The Over the Top Gothic Edition

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just do the following:
  • Grab your current read
  • Open to a random page
  • Share two (2) “teaser” sentences from somewhere on that page
  • BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
  • Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!
 from Clermont by Regina Maria Roche:
"It was not any apprehension of danger however which agitated the soul of Madeline, it was the agony of thinking that de Sevignie was the sad and solitary mourner to whose sweet and melancholy strains she had been listening; for in the air she heard she perfectly recollected one she had taught him during his visit at her father's house; and she wished to avoid his presence, least she should betray the emotions a knowledge of this dejection had inspired.  Again she pressed for Olivia to depart; who, in compliance with her wishes was moving from the spot, when the nurse hastily exclaimed, 'Stop, Mam'selle, stop, he's coming now, for there's his dog.'"  (pg. 67)

I feel like some more thunderstorms, swooning, and blanched cheeks are on the horizon.  Ha!  I'm reading this one for The Classics Circuit and will post my review on 10/23, don't forget to check back.